live review: Liar Liar, Club Smith, City Reign, Secret Pilot, Grounds @ Manchester Roadhouse, 7th May 2011

The Roadhouse is a tiny basement venue in Manchester which has previously hosted such legends as Muse, Coldplay and Blink 182 onto their stage. Tonight the venue welcomes five bands; Grounds, Secret Pilot, City Reign, Club Smith and headliners Liar Liar.

First to take to the stage tonight were Grounds, a four piece band from Manchester, delivering an amalgamation of a 90's grunge-crossed-with-Britpop inspired music. Showing a clear influence from bands such as Oasis and James, they went down well with the crowd who seemed altogether impressed with their sound.

Another Manchester band called Secret Pilot were on next. A set full of infectious guitars and strong vocals from frontman Ali Harrison, they played songs from their EP 'Punching Underwater', beginning with 'The Tide' - a song which holds sounds incredibly similar to early Kings Of Leon. They continued with 'Fight For Me' and followed this with stand-out track 'The Institute'. They then finished their set by asking the crowd to take part in the filming of their new video for the song 'Punching Underwater'; a three-minute anthem brimming with striking lyrics as well as a livelier sound. After they thanked the audience for helping with their video, they left the stage leaving everybody wanting more.

The third out of five bands to play tonight were City Reign, a foursome based in Manchester. Opening the set with 'See What It's Worth' they then followed this 'Out In The Cold'; their second single which was released in January. Vocally they could be compared to Idlewild or Oasis which really showed as they played 'Making Plans', and throughout their set it was obvious as to why Steve Lamacq named them as one of his favourite new bands as part of In The City festival 2010. They closed the set with their third single 'Daybreak' - a four minute song filled with emotional vocals and memorable lyrics - and and finally a heartfelt rendition of 'The Line'. Tonight City Reign have made it clear that everybody should keep an eye on them as they are surely set to do well.

Club Smith have only recently returned from a tour alongside The Pigeon Detectives and tonight they show the reasons behind the hype they have received over the past few months. The electro-indie four piece opened with 'Institution' and then played 'Young Defeatists'; one half of their double A-side single set to be released on the 6th June. There seemed to be more energy during Club Smith's set compared to previous bands and this was clear as they played various tracks from EP's - 'The Loss' and 'The Process' - such as 'Connected' and the energetic 'Lament'. The Yorkshire boys finished their set with the other half of their debut single,  the stand out 'No Friend Of Mine'; a perfect pop song which is most definitely to be huge after its release.

Finally the headliners, Morecambe based Liar Liar took to the stage. As the lights went out and the only thing to illuminate the stage was a set of fairy lights draped onto singer David Murdoch's microphone stand, the band went straight into 'It's Only Love' and continued with 'Unwanted'. After highlight song 'A Little Romance' they played a new track, which involved guitarist Charlie Kondras playing keyboard for what he said was "the second time I've ever done that". 'Sorry' was filled with impassioned vocals and 'Why Don't You Love Me Anymore?' confirmed that they have the potential to become one of the next big bands around at the moment. Their set ended with 'Seaside Girl' - their next single set to be released in September - a song with a memorable drum beat provided by Liam Maxwell and a dancey bassline from Charlotte Bell. Watch out for Liar Liar - they are sure to find all kinds of success in the future. 

The Heartbreaks, The Deaf Institute, 9th April 2011

Lancastrian duo The Lovely Eggs kicked off tonight's gig at Manchester's Deaf Institute, with the not so lovely named but fantastically fun song 'People Are Twats', followed up by 'I Like Birds But I Like Other Animals Too', a two minute shoutfest filled with crashing cymbals and scratchy guitars. Drawing attention from the crowd with their surreal lyrics and a Vaselines inspired sound, singer and guitarist Holly and drummer David continued with their single 'Don't Look At Me, I Don't Like It', instructing people to "look at him with his sausage roll thumb!". Finishing the set with 'Digital Accordion' they left the stage, leaving smiles on the faces of the crowd.

As the venue began to fill to it's maximum capacity, the second support act Mabel Love took to the stage. Opening with 'Ha Ha People' and following with 'Hardened Face', the Sheffield four-piece impressed the crowd with the combination of Dave Mitchell's fast-paced drumming, George Moran's hard hitting bass along with Dan Whitehouse's sweet-sounding guitar and Richard Rice's euphonious vocals. The song 'Socks' seemed to be the most favoured song tonight - one which is available to download for free from their website - followed up by 'Breaking It All' a "slightly political", slightly heavier song compared to their others. After playing a new song entitled 'Bootstraps' they finished up with 'Gardenstown' they left an extremely good impression on the Manchester audience in preparation for their Arctic Monkeys support slot in the summer.

Finally, complete with a projection filled with shots of their hometown Morecambe in the background and an avid atmosphere charging The Deaf Institute, The Heartbreaks graced the stage and introduced new material going by the name of 'Winter Gardens' - a song which delivered the classic repetitive lyrics and crisp sound which the four are so loved for. Speeding their way through the set they played 'Delay', as well as 'Save Your Souls' with singer Matthew questioning "what are you doing so intoxicated?" as guitarist Ryan and bassist Deaks span around the small stage. As well as playing their debut single 'Liar, My Dear' they showcased yet more new material; 'Man Overboard' and 'Gorgeous', leaving the audience eager to hear more and in high anticipation for their upcoming debut album. As they played their final songs for the night - their newest single, 'Jealous, Don't You Know' and the equally wordy titled 'I Didn't Think It Would Hurt To Think Of You' - it was clear that The Heartbreaks aren't just another generic "Manchester indie band" as the crowd sang along to drummer Joseph Kondras' poetically genius lyrics, but a band who are destined for all kinds of success.

Carl Barat, Manchester Academy 2, 6th April 2011

photograph by Amanda J Window

The opening band tonight were Foreign Office, a four-piece band from Hackney. Starting with 'Shame', they raced through their 6 song set of quirky "Franz Ferdinand meets Hot Chip" tunes, including 'On Repeat' - their infectious debut single which delivers funky guitar and bass lines along with repetitive, catchy lyrics. With traces of an influence by bands such as Talking Heads and Orange Juice, they continued with the paranoia-inspired 'Leaving The House', and finished with 'Losing The Plot'. Clearly leaving a lasting impression on the crowd, could Foreign Office be ones to watch in 2011?


Accompanied by his backing band, Carl Barat took to the stage soon afterwards, going straight into The Magus and following this up with a high energy performance of Run With The Boys. It was clear a number of people were only there to hear Libertines material so Barat added to the set a number of Libs classics, such as Man Who Would Be King and Up The Bracket, along with his solo material - in particular Je Regrette, Je Regrette, inspiring an impromptu sing along. He finished with the Dirty Pretty Things hit, Bang Bang You're Dead, before returning with his acoustic guitar to do an encore half the length of the main set, and after many a heckle for more Libertines material, he joined in with the crowd's yells of an a capella version of What Katie Did. Although the inclusion of yet more Libertines and Dirty Pretty Things tracks pleased tonight's gathering at the Academy no end, Carl should perhaps try to realise his solo work is strong enough to be performed without the large number of back catalogue hits he played this evening. Barat ended tonight with Don't Look Back Into The Sun to the obvious delight of all.

Foreign Office on MySpace
Carl Barat official

The Chapman Family/O. Children, The Ruby Lounge, 15th March 2011

Tonight's gig was opened by The Tunics, a band from Croydon who seemed to leave a good impression on the crowd tonight by showcasing a selection of anthemic indie tunes that had the rhythmic guitar of a typical Arcade Fire song, Bluetones-esque vocals and the memorable lyrics that would be expected from a band who lists The Libertines as one of their main influences. Although they refer to being described as "the most forgettable band ever", this is clearly not the case tonight as they exit the stage after receiving a great amount of cheers and applause.

As it was a co-headline tour, O. Children were on next, with Tobias towering over the rest of the band, with the microphone drawn up to it's fullest height, as they started with a full-of-energy rendition of 'Malo'. They then went straight into a new track - which oozed the typical O. Children sound - and went down extremely well with the crowd. 'Dead Disco Dancer', possibly their most well known song perked up the audience fully with it's memorable riff and catchy lyrics and following this was the dark yet emotive sounds of 'Heels' which slowed down the mood of the audience, who were quickly electrified again as Tobi and co. burst into 'Radio Waves' - the highlight song of their set. Their relatively short set ended with 'Ruins', as the band showed enormous gratitude to the crowd before leaving.

The Chapman Family headlined tonight, and with a different, heavier sound than O. Children, they opened with 'All That's Left To Break'. An unrelenting bassline and thrashing guitars are overlaid by Kingsley's passionate vocals that range from a doleful croon to a vicious roar as they race through their set. They played the majority of their album, 'Burn Your Town', and as the night drew to a close and the energy peaked, bassist Pop dived into the crowd during 'A Million Dollars', much to the bemusement of the crowd. Dripping with sweat, Kingsley screamed vocals, threw himself around the low-ceilinged stage and at one point thrust the microphone into his mouth as the set reached its climax, and as the final notes died away Pop acknowledged the crowd with arms outstretched before disappearing. After the chaos of the last 45 minutes the sudden silence seems slightly unnerving.

The Tunics on Myspace

O. Children on Myspace

The Chapman Family on Myspace

Cat's Eyes, St Philip's Church, Salford, 14th March 2011

Not your traditional venue, St Philip's Church has been home to many gigs over the past few years, such as Chapel Club, Hurts and Florence & The Machine. With no support act and a room filled with people eager to see them play their first UK show, Badwan and Zeffira graced the stage accompanied by a backing band. Starting with the obvious choice of the song 'Cat's Eyes' and then going straight into a cover of Lucifer Sam by Pink Floyd, it was strange to see Faris on stage playing a guitar; although despite this he looked completely comfortable. Following this were Rachel's renditions of Not A Friend and Best Person I Know, her operatic voice echoing around the church walls and contrasting with Faris' snarling vocals during Sooner Or Later, Over You, and The Lull, tracks from their upcoming debut album. Playing only a short 45 minute set, and finishing with the surf-punk sounds of Sunshine Girls the band then left the stage, to reverential applause and an overly impressed audience. 

Cat's Eyes' self-titled debut album is out May 3rd on Cooperative Music USA/Downtown

Cat's Eyes official website

Chapel Club, Liverpool Academy 2, 4th February 2011

This was the third time I'd seen Chapel Club, and it was also my first gig this year.
The first support band, Dustland, were unexpectedly good - certainly a lot better than some support bands I've seen. They performed with real confidence and held a good stage presence, fully capturing the audience's attention with a sound that could be compared to that of S.C.U.M or O Children.
Second on were David's Lyre, a Manchester artist whose real name is Paul Dixon. Having seen them support Chapel Club before, I was expecting a set as well performed as last time, and he and his band did not disappoint. Despite minor technical difficulties towards the end, they were clearly a crowd pleaser, playing songs comparative to that of Wild Beasts, such as In Arms and Tear Them Down.
Chapel Club graced the small stage shortly afterwards, beginning their set with Surfacing, and continuing with tracks from their debut Palace, such as White Knight Position and my personal favourite, Blind. Frontman Lewis Bowman grinned, "I can't believe how many people are here!" as their short but sweet set continued with more tracks from their EP Wintering, and singles O Maybe I and All The Eastern Girls, finishing with The Shore, complete with a heavy guitar sound to end the set. Surprisingly, there was no encore, although the short set was perhaps enough to please the crowd. Definitely a band to check out live if you haven't already.

Paul Dixon, David's Lyre

Lewis Bowman, Chapel Club